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My character-driven historical fiction grips readers' emotions and surprises them with unexpected twists. In Silk: Caroline's Story, the first installment of The Silk Trilogy, “The social realism of Jane Austen meets the Southern Gothic of Flannery O’Connor.” It's 1899 in the Lowcountry of South Carolina, and Caroline must choose between the town doctor and a good-natured farmer, all the while oblivious to a young sociopath who is not about to let this happen. Full of laughter and heartache—with a sinister thread—the next two generations of the family continue the trilogy in Tapestry: A Lowcountry Rapunzel and Homespun. Other novels are in the works, but I often feel more like blathering about my reading and writing than actually doing it, so I've opened this venue for sharing my thoughts with you—about books already written (by me and by others), those yet to come, and a few about life in general! Don't forget to sign up for my free newsletter on the right-hand sidebar.

Monday, September 6, 2021

All That Was by Tanya E Williams Sentimental & Nostalgic, with Ghostly Twists!

 

All That Was by Tanya E. Williams is a sentimental tale of a young woman named Emily who can’t get over her parents’ death over a decade ago. She’s tried to go on, finishing law school and joining a firm, but when she lands a gig dealing with archival records at the First United Methodist Church of Seattle, supernatural forces align to help her deal with her grief once and for all.

Perhaps my favorite aspect of this story was the character of the ghost of Elizabet Thomas from the early 20th century.  Emily had found Elizabet’s journals, spanning many years, and found them hard to put down—and meantime Elizabet was reading them over her shoulder, adding commentary.  I very much enjoyed Elizabet’s crisp dialogue and typical Victorian sharpness.  I’d imagine that most people driving down the road would be delighted if they were to turn the radio station to hear this ghost’s perspective.  Curiously, the author chose this ghost, a secondary character, for her first-person POV (saying ‘I’ instead of ‘she’).  I’m not sure I’ve seen that done before (as Emily was a 3rd-person ‘she’), but it certainly helped draw me in to Elizabet’s perspective.  I occasionally became impatient with Emily’s nostalgia, but it suited Elizabet’s ghostly character splendidly.

For an emotional, nostalgic tale of loss and love and happily-ever-afters, with a twist or two thrown in, consider reading All That Was. Ms. Williams’ intrinsic kindness and thoughtfulness come through clearly, and I especially recommend it for sentimental souls who wish a respite from the brutal intensity so widespread in the world of literature today.

 

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