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My character-driven historical fiction grips readers' emotions and surprises them with unexpected twists. In Silk: Caroline's Story, the first installment of The Silk Trilogy, “The social realism of Jane Austen meets the Southern Gothic of Flannery O’Connor.” It's 1899 in the Lowcountry of South Carolina, and Caroline must choose between the town doctor and a good-natured farmer, all the while oblivious to a young sociopath who is not about to let this happen. Full of laughter and heartache—with a sinister thread—the next two generations of the family continue the trilogy in Tapestry: A Lowcountry Rapunzel and Homespun. Other novels are in the works, but I often feel more like blathering about my reading and writing than actually doing it, so I've opened this venue for sharing my thoughts with you—about books already written (by me and by others), those yet to come, and a few about life in general! Don't forget to sign up for my free newsletter on the right-hand sidebar.

Thursday, March 25, 2021

Writing Jane Austen by Elizabeth Aston

Writing Jane Austen was a jaunt to modern-day London and Bath, where an Austen-hating writer who specializes in the Victorian era is saddled with the daunting task of completing a Jane Austen manuscript. 

The actual author of this entertaining novel has written several ‘Mr. Darcy’ spin-offs, which I suspect provided fodder for all the negativity towards Jane Austen that she convincingly spews—especially from the protagonist, Georgina.  Of course most of it came from ignorance, as Georgina eventually discovers, though her obstinate resistance to all-things-Austen disappears so suddenly that I wonder if the editor sliced out the transition. For Georgina to go to such lengths to avoid Jane Austen and then to hardly remark on her shift to Austen-worshipper left me bewildered.  Where was the chagrin?  Where was the surprise?  I liked the spin at the end, which salvaged a situation I couldn’t see being concluded satisfactorily, though I would have liked for it to be foreshadowed a bit more, perhaps. 


Having read Jane Austen’s novels long ago, I appreciated learning about the Jane Austen tours in Bath and a few details about her life. Sometimes, I’m afraid, unexpected characters seemed to randomly know far more than expected about Jane Austen, as if everyone were an authority on Jane Austen but Georgina. I could see where it fit in the conversation, but they seemed the wrong ones to tell it. However, despite my issues with this novel, the characters were colorful, and it was a fun, light-hearted read—while still managing to teach me a bit about the incomparable Jane Austen. Ms. Aston’s love for Jane Austen shines through, and that, along with the book’s charm, makes me willing to file her book right next to my Jane Austen collection on the bookshelf—which I suppose is exactly what the author intended with a pen name like Aston.

[Oh goodness, I just looked her up online to verify that it was actually a pen name, and it seems Elizabeth Edmonson (AKA Elizabeth Aston) passed away in 2016, only six years after the publication in 2010 of this delightful read for Jane Austen fans. RIP, Elizabeth.]   

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